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Graham Haynes

Artist in Residence

March 12 - April 15, 2024

 

Tues March 12, 7pm 

Gift of the Gnawa with Maalem Hassan Hakmoun, Abdu Rrahim Hakmoun, Graham Haynes, and Adam Rudolph

+ Dj sets by Dada Strain

at The Sultan Room, 234 Starr St, Brooklyn, 11237

$15 adv/$20 day-of

More info


Sat Mar 16, 2pm

Master Class

at Blank Forms, 468 Grand Ave #1D, Brooklyn, 11238

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Tues March 19, 6:30pm (doors 6pm)

Robin D. G. Kelley and Graham Haynes in conversation

at Emily Harvey Foundation, 537 Broadway #2, New York, NY 10012

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Wed March 27, 7:30pm (doors 7pm)
An Evening with Vijay Iyer and Graham Haynes

at Blank Forms, 468 Grand Ave #3d, Brooklyn, 11238
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Thurs March 28, 7:30pm (doors 7pm)

Momenta Quartet: Graham Haynes' String Quartet No. 1

at Greenwich House Recital Hall, 46 Barrow St, New York, NY 10014

More info

Sun March 31, 8pm (doors 7:30pm)

Graham Haynes with Lucie Vítková and Shakoor Hakeem

+ Dj sets by uncleboonmeh (Chris Williams)

at Sundown Bar, 68-38 Forest Ave storefront B, Queens, NY 11385

More info

Tues April 9, 10pm (doors 9:30pm)

Wed April 10, 7:30pm (doors 7pm)

Nublu Orchestra conducted by Graham Haynes: Conduction #16

at Nublu, 151 Loisaida Ave, New York, NY 10009

More info

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Hakmoun-Haynes-Rudolph. Credit Adrien Tillman.png

Photo: Adrien Tillman.

Graham Haynes, the composer, bandleader, and musician currently based in Bahia, Brazil, expands and confounds what we understand as jazz and electronic music. Son of the drummer Roy Haynes, raised among the greatest figures in improvised music and art in New York, Graham’s work grows out of a keen sense of New York’s many histories of music and musical movements. His is a voyage of constant departure and return to his native city, enriched by lifelong immersion in global musical practices and emerging sonic forms. 

Graham’s residency with FourOneOne will be the second in its new series of artists in residence. The project will highlight his voyages and their artistic consequences, from his 1980s co-founding of the seminal M-Base Collective; collaborations with performers in African, Arabic, and South Asian idioms; 1990s albums of soundscapes largely drawn from Paris's immigrant populations; work with New York's drum 'n' bass DJs and the turntables and digital samplers of the 1990s hip-hop scene; releases like 2000's BPM, a marriage of drum 'n' bass and opera; and, starting in the 2010s, densely layered chamber works, including the upcoming Requiem for Young Black Men Assassinated by Police in America, an evening-length performance for a 40‐voice chorus and orchestra, with an English text by Carrie Mae Weems.

The project will span performances, listening parties, public conversations, and master classes with Robin D. G. Kelley; Adam Rudolph and Maalem Hassan Hakmoun; Vijay Iyer; Nublu Orchestra; Shakoor Hakeem and Lucie Vítková; Momenta Quartet, and others.

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